I have three tentative options for the format of the exhibition.

Option one is to hang it from the ceiling with thin wire or fishing line so that the whole thing hangs in the air. Then a fan would be set up on the front and back sides for 50 metres so that it would oscillate regularly in the wind.

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Option 2 is designed for exhibition halls without such high ceilings. It is also suspended from the ceiling by wire and the lower part is left to dangle naturally on the floor. In order to reduce the friction of the painting this method does not add a small fan, allowing the natural wind to blow it.

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The third option is to take into account the fact that some galleries do not allow suspended ceilings or nails to be driven in the gallery. So the solution I came up with was to erect a one metre high stand on each side to raise the painting. This height allows the viewer to see the details of the painting without damaging the wall. By placing a 180 degree fan in the middle, the paintings would rise and fall with the wind from the fan, giving the exhibition a sense of breath.